With all of that considered, what are the plug-ins we consider to be the best tools to reach for in AudioSuite? Third-Party Plug-ins Only Available In AudioSuite Other plug-ins types rely heavily on capturing information from one audio clip on the Pro Tools timeline and feeding information to another.īoth examples here make strong cases for deciding to use “offline” AudioSuite variants of plug-ins over AAX real-time plug-ins you would normally insert on a track. Such latency delays the playback of tracks that have this type of plug-ins on well past what is considered usable in Pro Tools. Some noise reduction real-time plug-ins can introduce extended plug-in latency beyond what ADC (Automatic Delay Compensation) can handle in Pro Tools. Why You Should Not Neglect AudioSuite in Pro Tools Working this way would eradicate the need of many RTAS plug-ins inserted on channels, quickly freeing up system resources, helping Pro Tools engineers to complete projects without further being interrupted by nagging warning messages. To get around this, users would often opt for AudioSuite instances instead of the then RTAS (Real Time AudioSuite) inserted plug-in as a means to render their effects, EQ curves and dynamics processing directly to their audio clips. When playback buffers would struggle under heavy load, Pro Tools would more than often refuse to play nicely.

Read: The History of Pro Tools - 1994 to 2000īefore AAX 64-bit processing, earlier versions of Pro Tools which ran on computers with limited power would often struggle to cope with the demands of modest plug-in counts. Its menu has always been found in the top menu of Pro Tools AudioSuite was first introduced in 1997’s release of Pro Tools 4.

Pro tools 12 delay compensation